The gigantic, also commercially remarkable boom in American independent cinema with films like “Sex, Lies and Video” and “Pulp Fiction” has been over for years. Some of the great hopes of the 90s are now firmly established and have left their mark on Hollywood. It has become very quiet around many others, and a few have found a new home on the American pay-TV channels HBO and Showtime. But independent cinema lives on, but now again below the radar of the studios, which ironically all had their o
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